Never Bite a Tiger!

This morning I was very excited to hear the post pop through the letterbox (and not just because I was staring blankly at a very confusing and out of date spreadsheet and desperate for a distraction) because today I was expecting something special.

The preview copies of 'Never Bite a Tiger on the Nose', to be precise. This is the picture book I alluded to working on a few months back and I'm very chuffed to have my hands on the final printed and bound book...

A snap of the front covers

The book was written by the brilliant Lynne Rickards and has been published by Scottish Book Trust. The plan is to distribute it for free to children across Scotland in March as part of the BookBug toddler packs. Not only was it a joy to work on this book (I think I could happily draw that monkey all day), but I was honoured to be involved in a project which encourages reading as a family and healthy eating. And also, nothing beats getting a free book! Here are some of the interior pages:

 Oh, and it's also in Gaelic! Which is very cool.

Lines from a Fairytale...

Fairytales are actually really scary. I'm just making sure that you know that I know this. Because when I draw pictures from my favourite fairy tales, you really wouldn't think that I knew most of them involve stealing, abandoning children, kidnapping children, cannibalism and bloody murder. But I'm okay with the decision to focus on the nicer bits. 

Cinderella

My 2013 degree show included patterns and characters inspired by Grimm's fairytales and I've recently returned to this theme. I'm working on a series of line drawings of places, characters and events from some classic fairytales. 

Rapunzel & Sleeping Beauty

The tales I chose were all adapted by Andrew Lang at the turn of the 20th century. I like his versions for a few reasons. I like that he was writing at a very interesting time for fashion, interior design and the decorative arts. I've always loved the patterns of the Arts and Crafts movement and the collection of decorative designs at the V&A, all of which influence the decorative patterns in my line drawings.

I also chose him because he colour coded his books. I like colour coding. And lists.